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Tolta l’eccezione Sin City , nel cui soggetto peraltro non c’era nulla di suo, da queste parti Rodriguez non è mai stato apprezzato come autore. Poi però un giorno ha messo un finto trailer in uno dei suoi filmacci e da lì, per nostra fortuna, è nato Machete . In sostanza l’idea del film è questa: si prende come protagonista Danny Trejo, un messicano fatto di capelli e corteccia, e gli si dà un buon motivo per vendicarsi di uno Steven Seagal talmente sovrappeso che nel duello finale ha il fiatone dopo ogni fendente. Per rendere più intrigante la cosa si aggiungono un po’ dei soliti cattivi idioti, più De Niro e Don Johnson – dico, Don Johnson - who enjoy doing the slimy bastards. Then, since the whole is not manly enough, it also throws in a waving pussies mica laugh: Lindsay Lohan, who more or less plays herself in real life, Jessica Alba can not act decently here, but who cares, and Michelle Rodriguez, who reigns no need to explain why . All in a delirious crescendo of absurd terronaggine free and that at the end you're happy because it was just what you wanted.

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Press release on the meeting of February 9 February 9

by Corriere della Sera on February 10

The resistance of all Italians

The presentation books and Avagliano Cazzullo Aldo Palmieri, "There 's future if memory is mistreated "

rarely book presentations are so intense, real, full of testimonials. So it was last night for the debate that saw the protagonists of the book Aldo Cazzullo 'Viva' s Italy. Renaissance and resistance: why we should be proud of our nation "(Knopf) and that of Mario and Marco Palmieri Avagliano" The Jews under persecution in Italy. Diaries and Letters 1938-1945 "(Einaudi). Two books and an exceptional location: the House of Memory and History. With the authors, have taken Massimo Rendina and Walter Veltroni. "The book of Cazzullo - says Massimo Rendina, President of 'Association of partisans' Italy in the Province of Rome - is something of a Renaissance fresco, which combines with the War of Liberation, where you'll find stories, characters and many things unknown." 'S meeting, interrupted by readings of Claudio Bigagli, was moderated by Cesare Pinelli: "These two books mark a watershed: it can not be mistreated if you look at the future of the historical memory."
Books, adds Veltroni, who remember "something unpleasant: errors of Italians. " "If you lose the sense of its history - continued Veltroni - you end up with the 'desire to be free of the future. A mind that has no memory of the story lends itself to other disasters. And you get to say that it takes less to educate a dog than a child rom, you get to denigrate the Resistance. " In the book of
Cazzullo is clear that the resistance is "the heritage of 'entire nation': 'It was done by the military - said Aldo Cazzullo - by priests, soldiers, aristocrats and even by the Communists." The two authors
reversed course: "I like our books and to Cazzullo - said Mario Avagliano - return to sources and are seen as revisionists. The construction of an Italy that good because of the bad German has become an accomplice to the persecution is wrong and they say the documents, letters, stories that we collected in our test. "
Cazzullo concludes: "We Italians have a tendency to self-absolve us to fascism, but also tend to self-denigration. L 'Italy, even in the darkest moments, has always been one." No, therefore, the rhetoric of Bel Paese. And yes to a 'hypothesis: that Italians are intimately linked to' Italy more than they care to admit.
Simona De Santis, page 16 (February 10, 2011) - Corriere della Sera

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When the bad with the gun meets the blonde with the gun ...

But who cares the hackneyed story of personal revenge and revised and predictable script: The quick and the dead is a stupid and fracassone bandwagon, but with a great value: it's fun. It is important to know that there is a great bad guy, then that is who plays Gene Hackman Gene Hackman who plays the villain of the moment, that he will die only after a series of sinister and grotesque the bandits will have preceded it. Then there is that does the blowhard DiCaprio, Crowe is a former criminal who converted her to death but he would not, in short, when you need us and want, instead of the usual unnamed gunslinger, here's Sharon Stone. Mind you, Sharon is only there because her pussy and embarrassing when trying to play is to thank the gods that his is a character of few words, but overall there is. In a nutshell the Raimi film, more than a western is a caricature of a Western, but basically we like the good old Sam because he is a Gascon who do not seize too seriously and knows how to entertain.

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Bah ...

Sex in the days of happy hour. With a subtitle so it is clear that the work of the first bloggers Nadiolinda would be a sort of semi-serious sociological research on the sexual tastes of today's thirtysomethings. The female ass on a cocktail glass on the cover seems to confirm this hypothesis. From the first pages, however, we understand what it really wants to talk l’autrice: di sé stessa. Il libro non è altro che un resoconto delle sue avventure erotiche, intriso di esibizionismo. Il culo dell’autrice in copertina non fa che confermare questa ipotesi. Nadiolina scrive in tono colloquiale e senza usare le maiuscole; le piace fare quella che parla senza peli sulla lingua, che fustiga i maschi e pure certe categorie di femmine, che sa essere spiritosa ma anche pronta a tirar fuori riflessioni profonde. In realtà spesso si perde in luoghi comuni e battute troppo tirate per essere davvero spiritose. Magari tutto ciò può funzionare su un blog, ma su carta scorre via come acqua fresca, senza lasciare il segno.

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Speed \u200b\u200bhas three dimensions, just like life. Or the wind

They are the thirty-fourth

Horde. They started years ago from the Far Valley, directed by the legendary Extreme collection, which has never reached any Horde. To impede the relentless wind that always plagues the world. Each member of the Horde has its role, its history and its emotions, Damasio tells us that through their own points of view, unfiltered by the omniscient narrator, preferring to engage rather than explain, does not want to describe the history, aims make you feel. It succeeds, for god if he can. With its eccentric and experimental style, Damasio creates a web of words so dense that embodies the feelings of the protagonists as the wind in which they are immersed, and that ends up kidnap is propelled there, among them, to tackle puzzles, anguish, love and danger. Ok, sometimes the French author treads a bit 'hand and philosophize with technicalities, but this shall not prevent Horde wind was a great book that combines epic novel of adventure training and low-fantasy a mix of symbolic and narrative that has nothing to envy to the literature so-called "high".

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Who would have thought someone so respectable ... Come away with me

As long as the evil stares at us with his eyes bloodshot and his mouth slavering rage, then there is no problem. Or rather, there is, but we identify, recognize it, we can isolate and fight it. Do, however, when evil has the reassuring face of Lou Ford, deputy sheriff of a small town in Texas? Lou is quiet, maybe sometimes a bit 'boring, but it is certainly a good man, those who listen and who have interest in other people's problems. Pity that in his mind there is something wrong, something that has its roots in the past, something that has to do with violence and with women.

Thompson's style is dry and elegant, but that is not sufficient to make The Killer Inside Me the great book that is, its merit lies in showing Lou for what it is: a human being, as disturbed. Thompson chooses to tell us the whole damn story right from Lou, fully aware that his 'illness' that now, after fifteen years, could come back to affect you for making us share his thoughts, his emotions dissociated, its paranoia, the pitiless logic yet terribly coherent behind his every action.

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: books and Cazzullo Avagliano-Palmieri, with Rendina and Veltroni

Il  9 febbraio , ore 18,30, alla Casa della Memoria abbiamo presentato insieme all'ANPI i libri di A.Cazzullo , " Viva l'Italia! ", e di M.Avagliano-M.Palmieri , " Gli ebrei sotto la persecuzione in Italia. Diari e lettere 1938-1945 ".

Oltre agli autori, hanno parlato Massimo Rendina e Walter Veltroni.
Claudio Bigagli ha letto alcuni brani.

Con una partecipazione di pubblico inaspettata, si è parlato national memory beyond the usual complaints about the identity weak that we know is weak for some time, and repeat instrumental sounds today, the problem is her sense, as we tried to do in the debate.

Cazzullo book, you can read the first chapter the site of the Mondadori books

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Saviano says he is boring, is verbose, citing that without giving credit to that one.

He says Fazio Fazio is always the same, that does not bite, which is a feel-good subtle.

Says that there was inconsistent *.

program says it's the usual claims that are believed to be the best, which do professoroni arrogant, speaking of culture and listen to Conte De Andrè.

says that the weak do with Maroni and hard on those who do not like euthanasia.

says that Rai is all.

says it was a trivial program, rhetorical, partisan, and so on by yawning.

...

So do you share 40% of homeless and news.

M.

* write to Rai asking too inconsistent for editorial and Minzolini the Angelus, the pope.

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Directly from Lucca, my interview with Francesco Dimitri on AtlantideZine.

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The social network? Like

What Fincher tells us in The social network is a class struggle, conduct, however, not a revolutionary idealist, but a unique and ingenious envious. The real revenge of the nerds. Facebook remains in the background while to emerge are the stories of ambitious young men, raised in an environment so meritocratico, ma anche intriso di sfrenato arrivismo. The social network , in fondo, è una storia sul potere nonché una perfetta fotografia dei tempi moderni.

Bene, questo è il 'cosa', parliamo ora del 'come' Quel che abbiamo è una regia solida e incalzante, accompagnata da una sceneggiatura spumeggiante. Ok, e gli attori? Ottimi perché credibili e sfaccettati, mai caricaturali, a partire dall’impeccabile Jesse Eisenberg fino a un Justin Timberlake perfettamente in parte. Vogliamo parlare del montaggio? Forse che non bastano la fluida gestione dei continui salti cronologici o la sequenza della gara di canottaggio a convincere i soliti snob dai gusti difficili? E per chiudere in bellezza... la soundtrack. There is Trent Reznor, and is in good shape. Want more?

Go to the movies, go.

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Italian democracy: let's talk together

Our last meeting consisted of a discussion between us on the theme of Italian democracy, we have had Wednesday, December 15 at 19 at the headquarters of the Italian Council of the Movement European Piazza della Libertà 13 , fourth floor.
exchange greetings, which extend also to the readers of the blog, we discuss initiatives for 2011.

*** The Italian debate on democracy has long been trapped between the regime thesis and dissertation the omnipotence of government leaders and come out victorious from the elections . The debate is stuck, because it very much to those who support the thesis as the other. Yet they are both without merit. We live in such a way so emphasized the populist wave that crosses the old Western democracies, to have a President of the Council and majority parties who engaged in repeated and especially the claim that "the majority takes all."
But the reasons for which Parliament has ceased to legislate and the government acts only through the Minister of Economy has nothing to do with populism, have if anything to do with events dating back more institutional.
And most so far, I stress so far, we have an arsenal of counter enviable , and that in most cases they do their job, by the President of the Constitutional Court, judges from the local governments, independent authorities to Bank of Italy, not to mention the President of the Chamber.
We have thus the institutional point of view, a very confrontational democracy, not a democracy that is slowly turning off (the thesis of the system) or who is prey to the popular will of the usurpers.
Restore sense of proportion compared to what is happening would be if we are thankless job in the media environment. But at least between us we may ask: can the two theories in public discourse continues to monopolize the attention, while not at all reflect reality? It would not be pressing from facts, rather than fairy tales?

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The brutal and unpredictable trajectories of Experimental

cell 211 starts to bomb and does not miss a shot until the end. A few minutes here and that Juan, about to become official prison, he finds himself wounded and isolated in the middle of the revolt led by the charismatic inmate Malamadre. A revolt apparently mad were it not that the rebels have excellent hostages: three members of ETA, whose government holds the health especially. It must be said that although the violence is more than credible Utrilla, sometimes finding empathy for the prisoners could di farci dimenticare che non si tratta proprio di stinchi di santo. In fondo, però, è anche inutile cercare della denuncia sociale in questo film poiché ciò che conta è l’intreccio di relazioni e tensioni dentro e fuori dalla prigione; un cornice nella quale il binomio criminale-umano/poliziotto-bastardo diventa l’innesco del dramma personale del protagonista. Daniel Monzón ha talento narrativo, uno stile diretto e spedito ed è supportato da una gran coppia di attori: bravissimo Luis Tosar nel dar forma alla selvaggia umanità di Malamadre, convincente Alberto Amman nel caratterizzare la discesa all’inferno di Juan.

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case of peasant dictatorship applied

Per mostrare ai propri Students can easily arise as a dictatorship, a teacher from processing its own alternative high school class in a small autocracy, complete with a symbol, uniform and salute. Too bad that the experiment succeeds all too well. Following the lives of teachers and young students are witnessing the slow and intoxicating to mount the wave, as one body in a white shirt, gradually increasing your internal balance and intolerant towards those who did not party or, worse still, the clash. It all comes down to the obvious tragedy. Great value

de Wave is in being able to describe the mechanisms that lead to the establishment of a dictatorship using a simple, linear narrative, che non svacca in pistolotti retorici o ipercerebrali. Film riuscito e interessante, peccato solo che non sempre l’impatto emotivo sia all’altezza di quello concettuale: la deriva autocratica spaventa più a livello di testa che di pancia.

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The god that post on Facebook

Dopo la brusca interruzione della quarta stagione, il ragazzo prodigio John Doe ritorna. Lo fa con una serie al tempo stesso nuova e vecchia, con un nuovo copertinista, cui spetta il difficile compito di non far rimpiangere Massimo Carnevale, e con l’ormai rodata coppia Bartoli/Recchioni a tenere le redini del progetto. Lo stop forzato diventa uno spunto meta-narrativo per dare il via alla nuova trafila di JD problems, god atheist dall'impagabile face slapping who must learn to believe in himself. The two authors like to take risks and sometimes make it out of the pot, but this first issue is bubbling, with a nice mix of comedy dialogues by found ingenious - Bob, Bill and Chewie are wonderful - and pop philosophy.

If the goal was "not repeat themselves without giving up themselves, then this beginning is very promising.

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A coffin, a good idea and sixty minutes too long for dummies

Get an actor, close it in a coffin with a mobile media Download, a zippo, a pencil and a little altro e non lo fai mai uscire. Che Rodrigo Cortés sia bravo a destreggiarsi in uno spazio fisico e cinematografico così angusto è fuori discussione; lo stesso si può dire di Ryan Reynolds, vista la sua buona prova recitativa. Certe attese al telefono sono crudeli e la freddezza del datore di lavoro del protagonista è agghiacciante. Un soggetto perfetto per un corto, insomma. Invece Buried dura novanta minuti e dopo un po’ il gioco mostra i suoi limiti: i tanto strombazzati colpi di scena finiscono per diventare gratuiti – più simili a pizzicotti per tener viva l’attenzione che a spunti per creare un vero e proprio climax di tensione – mentre l’umorismo nero non sempre va a segno e il finale... mah.

So, folks, before we talk about "masterpiece" and "genius" and "fierce criticism of the war" and bring half of Hitchcock, let's take a deep breath and think about it.

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The effectiveness with which Ben Dupre introduced in 50 great ideas of philosophy, some of the most interesting and topical issues of human thought, can lead to two conclusions: either he's very good at simplification of the concepts and make them accessible even to those who do not chew daily Kant or Aristotle, or philosophy can also be explained without convoluted verbal acrobatics and big words in German.

Some academics may turn up their nose in front of certain simplifications or certain references to popular culture (Matrix, Narnia, 2001 A Space Odyssey), but the author never run the risk of superficiality, and while reading this book authority to pose as experts and brooding philosophers, there are plenty of stimuli for interesting thoughts or ideas to deepen the topics covered.

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Philosopy Through the years, I learned that instead change means the end

Anyone who has read and enjoyed Q can not help but get excited to see reappear in the restless and rebellious character. A return that occurs after a hundred pages in the Altai , nuovo romanzo storico del collettivo Wu Ming, ambientato fra Venezia e Costantinopoli 15 anni dopo il precedente. Mancano certi didascalici elenchi di nomi e luoghi che indebolivano la prima parte di Q , come pure certi flashback e flashforward talvolta confusionari; Altai ha una struttura più lineare e pulita senza per questo rinunciare a un intreccio coinvolgente e alla forza della rievocazione storica – ottimi i dialoghi in lingue e dialetti diversi. Manuel Cardoso, agente segreto della Serenissima e giudeo in lotta con le proprie origini, non ha lo stesso carisma del ‘viaggiatore del mondo’, cui viene affidata la riflessione centrale del libro, ma gli autori riescono comunque, tramite lui, a raccontare effectively one of the many chapters of the continuing flight of the Jewish people. Above all, do not simply confine the story, pure and simple setting, but give it a leading role.

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October 20: Not united or divided

Mercoledì 20 ottobre alle 18 abbiamo presentato il libro di  Marcello Fedele Né uniti né divisi . Le due anime del federalismo all'italiana, ed. Donzelli, 2010.

L'incontro si è tenuto alla Libreria Feltrinelli, via V.E.Orlando, 78/81.

Sono intervenuti Luca Antonini, Linda Lanzillotta, Francesco Merloni, Massimo Villone .
Era presente l'autore.

Siamo entrati nel terzo millennio ma restiamo il paese dei mille campanili. I comuni erano 8382 nel 1871 e oggi se ne contano più di ottomila, while the provinces have almost doubled. In the seventies came the regions, followed by hundreds of mountain communities and thousands of smaller bodies.
State Too, too many costs of politics. Never escape the trap of localism which fell at that time also the unitary process? Not necessarily.
The implementation of Title V of the reasons is increasing conflict between the various local authorities, and between self and state. A plot of this kind does not exist in European federalism, which makes the localism everywhere to the regional governments. Instead she finds herself in Brazil or Mexico, where municipalities are constitutionally guaranteed.
What direction will we change? Tremonti will prevail centralism characteristic of the German and Austrian federalism, or the municipal Bossi in the Latin American model?
For now, these two political perspectives have reinforced each other, but the most important game is still going on, why not come to reform the regime before 2016.
Welcome, then, into the new decade, uncertain and inevitably conflictual. Will be only the next year to tell us which of the two souls is bound to prevail. Or if both will be forced to capitulate.

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present "The University for All" June 24

In collaborazione con l'Università di Castel Sant'Angelo, il 24 giugno alle ore 17,00 in corso Vittorio Emanuele 217 nell'Aula Magna dell'Istituto Cattaneo, presentiamo il libro di Andrea Graziosi , " L'università per tutti . Riforme e crisi del sistema universitario italiano", il Mulino, 2010.

Presentano il libro:

• il prof. Giacinto Della Cananea, Università di Napoli Federico II
• la prof.ssa Maria Rosaria Marella, Università di Perugia
• l'on. Marco Meloni, Head University PD

will coordinate the discussion, the prof. Francesco Riccobono, University of Naples Federico II.